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Wednesday, 31 October 2012

Info Post

As promised, we got the creepy ball rolling at 12 A.M. Eastern Time.


Suspiria is an all-time favorite that we need to see at least once a year. The Argento classic was one of the last feature films to ever be processed in Technicolor, and rightly so; it's a visual spectacle that uses vivid colors as well as any other movie I can recall.

The first of Argento's "Three Mothers Trilogy," Suspiria tells the story of an American ballet student abroad who runs afoul of a Coven of Witches, lead by one of the Three Mothers (Mater Suspiriorum, in this case). It's stylish, beautiful to behold, creepy, gory as hell, and boasts one of the best Scores of all time (courtesy of legendary composers, Goblin.)

If you've never seen this gem, get a hold of a copy and see it asap. It's as close to required viewing as a horror movie can get.

*For the sake of continuity, the other two parts of the "Three Mothers Trilogy" are Inferno and The Mother of Tears, both of which are worth a look.


Say what you will about the much maligned flick, The Last Exorcism, but for our money, it's one of the better Exorcism flicks that's come along in forever.

Shot Cinema Verite style, The Last Exorcism is about a shady preacher named Cotton Marcus, who runs around pretending to do miracles and such, while really being nothing more than a complete fraud. Things get interesting when he takes on a new case of a possessed girl, and instead of his normal gig he gets the real deal, which he is woefully unprepared for.

We liked this one mainly because the guy who played Cotton Marcus was likeable and played one hell of a role. Then there's the movie itself, which slowly unraveled to reveal a pretty creepy and intense supernatural story. Lots of people didn't like the end, but we thought it was kinda cool; the "it came out of left field" twist leaves things open for a possible sequel, which we'd definitely see.

We love the feel of this movie, and had the urge to make it a part of this year's Halloween viewing.

Now, back to it...

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